Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Çàðóáåæíàÿ ïîýçèÿ â ïåðåâîäàõ Áîðèñà Ïàñòåðíàêà. ñáîðíèê — 2001

 èçäàíèè, ïðèóðî÷åííîì ê 100-ëåòèþ ñî äíÿ ðîæäåíèÿ ïîýòà, ðàçíîñòîðîííå ïðåäñòàâëåíà ïåðåâîä÷åñêàÿ äåÿòåëüíîñòü Á.Ë. Ïàñòåðíàêà, åãî ïåðåâîäû ñ àíãëèéñêîãî (Ðýëè, Øåêñïèð, Áàéðîí, Øåëëè, Êèòñ, Ñóèíáåðí), íåìåöêîãî (Ñàêñ, Ãåòå, Êëåéñò, Ãåðâåã, Ãåéì, Áåõåð, Ðèëüêå, Âåðôåëü), ôðàíöóçñêîãî (Âåðëåí, Âåðõàðí), èñïàíñêîãî (Àëüáåðòè), ïîëüñêîãî (Ñëîâàöêèé, Ëåñüìÿí, Áðîíåâñêèé), ÷åøñêîãî (Íåçâàë), âåíãåðñêîãî (Ïåòåôè) ÿçûêîâ, à òàêæå åãî ñòàòüè è çàìåòêè î ïåðåâîäàõ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shakespeare W., As You Like It — 1994 (Penguin Popular Classics)

As You Like It is considered by many to be one of Shakespeare's greatest comedies, and the heroine, Rosalind, is praised as one of his most inspiring characters and has more lines than any of Shakespeare's female characters. Rosalind, the daughter of a banished duke falls in love with Orlando the disinherited son of one of the duke's friends. When she is banished from the court by her usurping uncle, Duke Frederick, Rosalind switches genders and as Ganymede travels with her loyal cousin Celia and the jester Touchstone to the Forest of Arden, where her father and his friends live in exile. Observations on life and love follow (including love, aging, the natural world, and death) friends are made, and families are reunited. By the play's end Ganymede, once again Rosalind, marries her Orlando

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Shakespeare W., The Complete Works — 2006

This re-set edition of The Complete Works of William Shakespeare contains all the plays and poems; the plays are arranged in the chronical order of their composition, not gatheredinto comedies, histories and tragedies-the traditional method dating from the first folio

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Shakespeare W., Twelfth Night — 1987

Twelfth Night is one of Shakspeare s funniest plays and also one of his most romantic. A young noblewoman, Viola, shipwrecked and separated from htr twin brother, dresses as a man in order to enter the service of Orsino, duke of illyria. Complications ensue, and everyone into the hilarious confusion.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Shakespeare W., 3 by Shakespeare — 2006

Comedy, tragedy and history-this anthology presents a trio of Shakespeare's most frequently studied and performed works. Each represents one of the playwright's primary genres, and together they run the gamut of the Elizabethan theater experience, from lightheared romance to star-crossed passion to ruthless ambition.

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Ackroyd P., Shakespeare. the biography — 2005

Peter Ackroyd's marvellous biography is a living attempt to reach into the heart of Shakespeare. He creates an intimate and immediate connection with his subject, so that the book reads like the work of a contemporary - meeting Shakespeare afresh on his own ground. Written with intuition and imagination unique to Peter Ackroyd, this is a book by a writer about a writer, and a fascinating and detailed depiction of the world Shakespeare inhabited.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Shakespeare W., Romeo and Juliet — 1994 (Penguin Popular Classics)

Romeo and Juliet is the world's most famous drama of tragic young love. Defying the feud which divides their families, Romeo and Juliet enjoy the fleeting rapture of courtship, marriage and sexual fulfilment; but a combination of old animosities and new coincidences brings them to suicidal deaths. This play offers a rich mixture of romantic lyricism, bawdy comedy, intimate harmony and sudden violence. Long successful in the theatre, it has also generated numerous operas, ballets and films; and these have helped to make Romeo and Juliet perennially top

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Shakespeare W., The Tempest — 1995 (Penguin Popular Classics)

"The Tempest" is the most lyrical, profound and fascinating of Shakespeare's late comedies. Prospero, long exiled from Italy with his daughter Miranda, seeks to use his magical powers to defeat his former enemies. Eventually, having proved merciful, he divests himself of that magic, his 'art', and prepares to return to the mainland. "The Tempest" has often been regarded as Shakespeare's 'farewell to the stage' before his retirement

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Shakespeare W., King Lear — 1994

King Lear` is probably Shakespeare`s most powerful tragedy. It encompasses the horrific and the grotesque, the appalling and the poignant. Love and hate, loyalty and treachery, cruelty and self-sacrifice, are all interwoven in a tempestuous drama which has become one of the classics of the world`s literature. Its meaning is still a matter of contention for intepreters. Is it Christian or anti-Christian? Does it suggest a providential pattern, or does it anticipate the theatre of the Absurd

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Shakespeare W., Macbeth — 1994 (Penguin Popular Classics)

One of the great Shakespearean tragedies, "Macbeth" is a dark and bloody drama of ambition, murder, guilt and revenge. Prompted by the prophecies of three mysterious witches and goaded by his ambitious wife, the Scottish thane

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Shakespeare W., Much Ado About Nothing — 1997 (Penguin Popular Classics)

Much Ado About Nothing has long been celebrated as one of Shakespeare's most popular comedies. The central relationship, between Benedick and Beatrice, is wittily combative until love prevails. Broader comedy is provided by Dogberry, Verges and the watchmen. The drama ranges between the destructively sinister and the lyrically romantic, giving the whole a complex and sometimes problematic character

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Shakespeare W., The Merchant of Venice — 2001 (Penguin Popular Classics)

In a street of Venice, the merchant Antonio laments that he is sad but knows not why. His friends, Solanio and Salerio try to cheer him up, to no avail. More friends, Lorenzo and Gratiano also try and fail. Antonio's friend, Bassanio, informs him that he intends to seek the wealthy Portia's hand in marriage, yet needs financial backing. Antonio, though reluctant, offers Bassanio 3,000 ducats (money) to help him. At Belmont, Portia's house, she laments to her servant, Nerissa, that she fears a suitor she dislikes will pursue her hand in marriage. Per her late father's will, the suitor must choose the correct of three chests (gold, silver, and lead), and then, if correct, he may marry Portia. She likes none of her six suitors, but wishes Bassanio would come and choose the correct chest

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Shakespeare W., Hamlet — 2001 (Penguin Popular Classics)

Hamlet is not only one of Shakespeare's greatest plays but also the most fascinatingly problematic tragedy in world literature. First performed around 1600, this is a gripping and exuberant drama of revenge, rich in contrasts and conflicts. Its violence alternates with introspection, its melancholy with humor, and its subtlety with spectacle. The Prince, Hamlet himself, is depicted as a complex, divided, introspective character. His reflections on death, morality and the very status of human beings make him "the first modern man"

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Shakespeare W., Twelfth Night, or, What You Will — 2001 (Penguin Popular Classics)

The gentle melancholy and lyrical atmosphere of "Twelfth Night" have long made the play a favourite with Shakespearian audiences. The plot revolves around mistaken identities and unrequited love, but is further enlivened by a comic sub-plot of considerable accomplishment. In it, Sir Toby Belch and his companion outwit the pretentious Malvolio, who, despite suffering their most outrageous and insulting practical jokes, emerges as an almost noble figure

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Shakespeare W., A midsummer night's dream — 1994 (Penguin Popular Classics)

A Midsummer Nights Dream is the perfect milieu for Arthur Rackham, who posessessed a unique and striking gift for depicting fanciful creatures. His career coincided with the era known as the Golden Age of illustration, which saw the rise of increasingly sophisticated colour printing techniques. His magnificent interpretation of A Midsummer Nights Dream first appeared in 1908, and this faithful reprint offers a quality of printing and sharpness of reproduction that rivals the limited and first editions

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Shakespeare W., Othello — 2001 (Penguin Popular Classics)

"So will I turn her virtue into pitch. And out of her own goodness make the net. That shall enmesh them all". As an incarnation of evil and a catalyst of jealousy, vengeance and murder, Iago is the mainspring of Othello. One of Shakespeare's most intriguing characters, Iago sets out to convince Othello of his wife's infidelity with Cassio. His motives are diverse - revenge, vanity, envy - but he succeeds in arousing strong suspicions in Othello's breast. Though noble and courageous, Othello finally allows himself to be duped by the coldly calculating Iago, and "Chaos is come again". This edition of the text contains notes, a glossary and an introductio

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Shakespeare W., A Midsummer Night s Dream — 2008 (Oxford World's Classics)

A Midsummer Night's Dream is perhaps the best loved of Shakepeare's plays. It brings together aristocrats, workers, and fairies in a wood outside Athens, and from there the enchantment begins. Simple and engaging on the surface, it is none the less a highly original and sophisticated work, remarkable for both its literary and its theatrical mastery. It is one of the very few of Shakespeare's plays which do not draw on narrative sources, which suggests that it reflects his deepest imaginative concerns to an unusual degree. In his introduction Peter Holland pays particular attention to dreams and dreamers, and to Shakespeare's construction of a world of night and shadows. Both here and in his commentary he explores the play's extensive performance history to illustrate the wide range of interpretations of which it is capable.

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Shakespeare W., Othello — 2007 (New Longman Literature)

Sir Ian McKellan is a perfectly villainous Iago, Imogen Stubbs is a feisty (for a change!) Desdemona. The proof of the pudding is that this cast was continually called upon to reprise their performance of this play at various times and places over a period of seven years before it was finally preserved on video. If you saw the movie version with Kenneth Branagh and Lawrence Fishburne, this version will seem a bit claustrophobic. It's actually fitting for the story, as Othello and Desdemona are forced into the small spaces society makes for them and end up destroyed, not just by Othello's jealousy, but by society's lack of tolerance. This is the most technically perfect of Shakespeare's tragedies, and I am so glad we have this version on film. Sadly, Sir John Gielgud's Hamlet (dubbed to have been a performance "for the ages") was never filmed; I wish so much it had been.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Shakespeare W., Twelfth Night — 2005 (New Longman Literature)

Delightfully comic tale revolves around the physical likeness between Sebastian and his twin sister Viola. Filled with superb comic scenes, this delightful tale of mistaken identities remains one of Shakespeare's most popular and performed comedies

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Shakespeare W., The Merchant of Venice — 2007 (New Longman Shakespeare)

`The Merchant of Venice` is one of Shakespeare`s most popular comedies, but it remains deeply controversial. The text may well seem anti-Semitic; yet repeatedly, in performance, it has revealed a contrasting nature. Shylock, though vanquished in the law-court, often triumphs in the theatre. He is a character so intense that he can dominate the play, challenging abrasively its romantic and lyrical affirmations.What results is a bitter-sweet drama, both gratifying and troubling.The lovers may eventually rejoice, but there are strange discords before the final harmony is achieved. Though The `Merchant of Venice` offers some of the traditional pleasures of comedy, it also exposes the perennial operations of prejudice. Thus Shakespeare remains our contemporary.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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